Show, Don’t Tell

“Show, Don’t Tell” is the closest thing I know to a writer’s mantra.

For every sentence that I write, I’m constantly berating myself—Did I “show”? Or did I “tell”?

Did I remain “in scene”?

Remaining “in scene” is my nemesis write now.

Yes, write now. You read that write. Writing is all I care about, but righting is what’s driving me bonkers.

It seems that the more I struggle with the editing of my memoir—the more advice I get from various sources—the more confused I get. I should insert “LOL” here, but it’s clearly not amusing.
The one thing that I’ve noticed in this week’s reading (not writing—this week’s reading) is that everywhere I look, writers are all stating that there is a really rough patch where you want to throw out the whole thing and go back to bagging groceries at the A&P or whatever you’re destined to do. And no offense to bagging groceries at the A&P. I don’t know what job I could tuck in here without offending someone.

That’s where I’m at right now.

I think I’ve got the “Show, Don’t Tell” part, but remaining “in scene” is driving me berserk. It’s depressing. I keep telling myself that this is just part of the process.

I have a half dozen books scattered around me. I keep opening them for style comparisons. Like lots of dialogue in the showing vs. just a little dialogue in the showing.

I’m weeding out anything that’s the voice of the present day survivor commenting on the events of the child. At least, that’s what I’ve been told to do, and it seems to make sense. Stay in scene!

I’ve been looking through The Glass Castle (Jeannette Walls) to see if she comments on her childhood from the adult point of view as she’s Showing, Not Telling. The Glass Castle, of course, because it’s a whacko childhood memoir. wink wink.

I downloaded a volume of Alice Munro’s stories onto my Nook yesterday and read her introduction as I waited in the ferry line. The introduction has Excellent Writer Advice. Munro describes how her stories are born—from bits and pieces of events in real life combined with her imagination. Writer advice and how she does it.

Everyone’s technique is different, of course…and combined with your voice, your writer style should make your story unique.

I just found Mary Karr’s The Art of Memoir lost in the bed covers between my quilt and sheets. I’ve been falling asleep with these writers every night.

The Liar’s Club (Mary Karr) is on the floor next to my bed. Another wacko childhood memoir. Her momma and daddy could give Jeannette Walls’ momma and daddy a run for their money in the OMG category.

In The Liar’s Club, Karr frequently makes present day statements, then expounds upon them. Isn’t that going “out of scene”? Apparently, not.

I need another cup of coffee.

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The Scent of Writing

The scent of writing is all around me this morning in the form of a bouquet of lilacs. Yesterday, I placed the Mason jar bouquet on the shelf next to my bed, where I begin my morning reading and writing with my first cups of coffee.

The scent of lilacs. How that returns me to my childhood! All those times that I cut the stems for our apartment. All those times that I wished I could carry a bouquet of lilacs to school for my teachers—but was too painfully shy, year after year—to carry out my fantasy of standing before my teacher with the sweet blooms.

A smell from the past is often what one needs to jump start a memory.

The science behind this is that the olfactory bulb accesses the amygdala, which processes emotion, and the hippocampus, which is responsible for associative learning.

When we first smell a new scent, we link it to an event, a person, a thing or a moment in time. Our brain creates a link between the smell and a memory so that when we encounter the smell again, the link is already there, ready to elicit a memory or a mood—positive or negative.

I don’t know if it’s my imagination or not, but it seems that since I placed that bouquet on the shelf yesterday, I’ve been better able to fine-tune the outdoor chapters of Spring in my memoir. More details have come into focus.

Tomorrow, cinnamon.

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More Editing

notecardsThree days after creating my chapter and scene notecards, I’m making sense of my category and themes, ready to continue editing.

The category is Coming of Age. The themes were not so obvious to me.

However, when you simplify the contents of your childhood into a patchwork pattern on a table, suddenly the themes that were so evasive begin to bubble up from the depths of your submerged life.

I stood over the cards for ten minutes, heartlessly pulling the cards that I’m sure represent boring topics. Putting them aside—not discarding yet—you never know.

With the table thinned out a bit, I began to stack similar themes and subjects.

Fear has a big pile. Fear of the draft horses on the farm, fear of being left alone, fear of fertilized eggs! Fear of being in charge of my siblings’ fears: the swimming lessons, the dentist!

notecardsThinnedMy shameful shyness and its related topics are an interesting stack, tied to childhood depression, longing, “girlfriendship” (and the lack thereof), and my mother’s questionable child-rearing methods. The unopened copy of Dr. Benjamin Spock’s Baby & Child Care—except for the part about chicken pox, measles and mumps. Or was that masturbation?

The Feminism stack surprised me. I knew that I was a child feminist, but the number of scenes that innocently demonstrated this budding characteristic in my busy little mind was amazing to me. From a very young age, I resented all of the special privileges that boys were privy to.

Another prominent theme is Secrets. (They wouldn’t remain secrets if I revealed them here.)

I discovered that there were three themes that saved my life.

Nature, Reading, Music. In that order.

Now that the cards are re-ordered, I can begin dragging the chapters and scenes into the Revision.

By no means am I near the end, but if I can get this content in proper order, then I can begin to refine the results.

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Write Now

Do you put pressure on yourself to produce X number of pages or X number of words per day? When you fail, do you beat yourself up?

It’s no wonder. Writers are constantly being directed to produce, produce, produce!

Never mind the quality. Just spit it out! Quantity is what they want. Preferably 80,000 words in a year or less. Spit it out. You can edit the whole mess later.

They do the math for us. And if you can’t produce? Well, you should be ashamed of yourself, you lazy, undisciplined fool!

My question: Why are artists and composers not subjected to the same stringent self-discipline?

No one tells artists that they need to produce a gallery-acceptable painting every week or month.

No one tells composers that they need to warm the piano bench and crank out a hit tune every week or two.

I totally get that we should spew out all the content while it’s fresh in our mind. Let the ideas flow. Fact check later. Fine tune later. Visit #GrammarGirl later. But geez.

At the beginning of every year, articles pop up in writer magazines and online sites reminding us that if we sit our butt in front of the keyboard we could be accepting a PEN Award lickety-split.

220 words per day times 365 days equals 83,000 words.

I wrote the first draft of my memoir in 2013. Words were gushing out of unsuppressed open wounds. I traveled to Martha’s Vineyard in October for a week of peace and quiet to apply the antiseptic and bandage up what was left.

In my seven days of writer retreat, I wrote 21,112 words. (Yeah. I have a spreadsheet. For almost everything.)

3,030 average per day. My two most prolific days were just under 5,000 words each.

I was being really hard on myself. Up at 6. Get coffee. Write for a couple hours. Hike for an hour. Get more coffee and breakfast. Write for a few hours. Cook lunch. Write until the text blurs on the screen. Go for a walk on the beach. Get dinner out. With wine. Write some more. Carpe diem.

Those kinds of deadlines and goals are good for me. I won’t lie. It wasn’t difficult because I had a ton of content to spew. It’s the editing that takes the time. Now I’m finding that I can be very happy indeed with 1500 words of cleaned-up content per day.  Not too bad.

Except that I’ve backtracked to the beginning with new style formats three bleepin’ times in 2015.

So maybe they’re right. Maybe writers need more motivation. Maybe it’s for our own good.

I think 2016 is going to be the year.

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Two Birthdays

This is a re-write of my earlier chapter “I Am Born”.


Two Birthdays

It was a few days before Memorial Day 1929, the last week in May. My maternal grandparents were out on the town, partying in the rumble seat of their best friends’ Buick Coupe. Mémère loved to dance and sing, personifying the quintessential Roaring Twenties gal. She liked her fashion glitzy and glamorous, and her Prohibition beverage of choice was brandy. She dyed her hair reddish brown and had it cut in a stylish bob. Mémère was also six months pregnant with my mother at the time, and her water broke as the coupe bounced down the pot-holed dirt road into town.

I had just put my knitting down and had risen to take the whistling kettle off the stove for a cup of chamomile tea when my water broke on that warm Sunday afternoon. May 1981. I was wearing my favorite purple heather hand-sewn maternity jumper. Underneath I wore a cozy white cotton turtleneck that had been stretched to its limits with my swollen belly. I leaned back a little, rubbing my lower back as I crossed the room. I brushed a few strands of my long brown hair out of my weary eyes and noticed that my ankles had swollen that day for the very first time. I was a Back-to-the-Land type, a do-it-yourselfer. Gardening, bread baking, quilting.

Mémère shrieked as the cold amniotic fluid seeped onto the seat and soaked the hem of her dress. “Gerrrrald! The baby! The baby’s coming!!”

My grandmother always tended to shriek with emphasis when she was anxious. That night the amniotic fluid and the brandy flowed together to render a potent mix of anxiety.

I remained calm. I hadn’t had a glass of wine since Christmas. It took me a minute to associate the puddle on the parquet floor with the fluid that had cushioned my sweet babe for the past seven months. This was too early. I had just had an ultrasound the week before last. It couldn’t be. But it was.

Mémère and Pépère were hastened back to the triple decker. Pépère helped her down onto the running board and then carefully up the stairs to the apartment before he sprinted off to fetch the doctor.

Roger had just cracked open a Budweiser, turned on the TV, and put his feet up on the coffee table to watch the final game of the NBA Eastern Conference Finals—the Boston Celtics vs Philadelphia 76ers. The Celtics would wipe out a double-digit deficit in the second half and defeat Philadelphia 91-90 in Game 7. A huge game that Roger had been anticipating. I grabbed my overnight bag and called the doctor and let him know that we were on our way.

Pépère and the doctor arrived barely in time to deliver my mother. Pépère wouldn’t be pitching for his local baseball team that weekend. He was their star pitcher, a lefty known in town for once pitching a perfect game. The young doctor shook his head nervously. Mummy weighed a mere two pounds. There weren’t a lot of options back then for a premature home birth. The doctor returned his instruments to his black leather bag.

Roger drove as swiftly as he could on Route 28. Thankfully it was off-season and traffic was light. The two birthing rooms were occupied so I was prepped in an old-fashioned delivery room, but happy to be there. Considering the circumstances, our baby took his time arriving. The transition from initial contractions to delivery took six hours.

In the third floor tenement apartment, the doctor asked Pépère to find a shoebox. He nested Mummy in the box like a robin chick found beneath an apple tree in April, wrapped her with a diaper folded over multiple times and configured into a swaddling blanket. His instructions were simple. “Keep her in the oven with the door open.” It was a gas oven.

He tapped his bowler onto his head, while Pépère accompanied him to the door. “Best of luck to you,” said the doctor.

Christopher was swiftly transferred to an incubator with an IV and oxygen. I waited anxiously for the results of his initial examination and the determination of his Apgar score. Our new pediatrician came in to introduce herself, flipping open her wallet to a school photo of a smiling little girl as she pulled a chair up to my side.

“Don’t you worry about Christopher even a second,” she said, holding the photo up closer for my viewing. “This is my little preemie. She’s in first grade now. Straight A student. Christopher is going to be fine.”

Mummy thrived in the warmth of the gas oven on Old Town Road. She’s never been sick a day in her life, with the except of that gallstone operation back in ’74. She’ll be 87 when the lilacs bloom.

The next day, when the doctor appeared on his morning rounds, I had tiny Christopher unwrapped as I gazed in amazement at the gift of life before me. His color was yellowed with jaundice, not like the pink skin I had imagined. He was as fragile as a newly hatched chick.  I explored his tiny toes and fingers, the transparent fingernails, the little chest lifting with each miraculous breath. I gently grasped his tiny hand between my thumb and forefinger. A spray of lilacs bloomed on my bed stand, cut from the homestead bushes where we built our home. It filled the room with sweet memories.

Kim Carnes’ “Betty Davis Eyes” was playing softly on the hospital sound system. Christopher’s eyes were large for the size of his tiny head that was not much bigger than a tennis ball. His knit cap was loose. I lifted him and stroked his hand as he sucked at my breast.

“It looks like you two are doing fine. You’ll be on your way in a few more days,” said the doctor.

We drove home on Mother’s Day 1981. Christopher is now a happy healthy 34-year-old. The little bird has fledged.

Belize Day 2

It’s been less than 12 hours since arrival in Belize and, already, I’m back in the groove. Any thoughts I had of maybe going elsewhere next winter are slowly getting squashed by the synchronicity that I always experience here.

syn·chro·nic·i·ty1
/ˌsiNGkrəˈnisitē/

noun

  1. the simultaneous occurrence of events that appear significantly related but have no discernible causal connection.

I’m thinking that I need to assemble some writing based on the experiences that I’ve had here during 10 trips spaced over the past 26 years (8 of them in the past 8 years.). I’ve been visiting here since before electricity was brought to this island. In the early days of my visits, huge generators supplied the island with its power. There was an ever-present hummm in the background. Except when they went down and the lights went out.

It never occurred to me that my Belizean experiences might have some memoir aspects to them, but after this morning’s events, I see that they have.


Here’s an example of synchronicity from last winter.

One morning in February 2015, I stepped down into a water taxi with a half dozen school children of assorted ages, all of them dressed in the public school uniform of white shirts and navy blue pants. As we pulled away from the dock, I looked at my companions and began to reflect on the various school children that I have met here over the years.

A high school boy sat quietly on the bench beside me. I turned to him and said:

“I’ve been wondering… Years ago, maybe 10 years, there was a little boy, maybe 7 or 8 years old, who used to sell jewelry outside the Capricorn restaurant up the beach. His uncle works at Capt. Morgan’s. Would you happen to know who that boy is?”

The young man turned to me and smiled.

“Mum, I am that boy.”

I still get goosebumps when I remember that conversation.

We talked all the way into town re: his little sister, his brother, his parents. I asked him what he is studying. What he likes best. Updated all. Synchronicity.


Now. January 3, 2016.

Today as I bicycled into town, I met the usual assortment of golf carts and bicycles, tourists and locals. I noticed that the newly-arrived tourists, the ones without tans, were not terribly comfortably looking. Maybe it’s their first visit to a third world country. They’re ignoring the people around them.

The locals peddle along minding their own business, realizing that 99% of the tourists have zero interest in them. Here’s where I say that I am among the 1% that do have an interest in them. As fellow human beings.

I want to be perfectly clear that we are all 100% equals. I don’t engage with the locals in some kind of condescending phony-friendly, chit-chat.

I simply smile and call out “Good Morning” to everyone I meet as I pedal along. The smile and another “Good Morning” gets reflected back at me warmly. …and this day, I add “Happy New Year”.

It’s a simple premise. It’s always best to appreciate those around you. As a woman traveling alone, I naturally don’t do anything stupid. I’m aware of my surroundings at all times. I don’t travel alone after dark. At the same time, I don’t let my solo situation block me from having rich experiences. I explore. I ask questions. I don’t take anything for granted. But I’m not fear-faced.

Belize day 2

Arriving at the market:

That’s my bike out front. I was pleased to see that I was able to get everything I need to make the vegetable soup that is my daily Ayurvedic lunch, as well as the local fish that is my dinner. Sea bass, lobster. Everything  except the kale and broccoli. I’ll substitute seaweed (nori) in the meantime. The fact that you can even get kale is a very big deal. I’m glad to see that there’s a demand for it from the expats living here. The Mennonite community of about 10,000 members inland grows the vegetables supplied to the island and raises pasture-fed beef.

Since it’s my first day in the heat and I have a heavy load to balance on my handlebars, I didn’t stop to take any photos, but my eyes took in the changes and additions to town. I’ll take pictures on Thursday when the kale comes in. Normally I don’t go into town at all, but kale- that’s a good reason.

As I crossed over the one bridge on the island and left town pedaling north, I passed a boy, maybe 11 or 12 years old, on a bicycle. I smiled “Good morning” and “Happy New Year”. He responded the same, and then a little later, I heard his bicycle coming up behind me so I called out to him with a smile over my shoulder-
“Wanna race?”

Chuckle.

Well, that was all he needed to hear. We didn’t race, of course, but he pulled up alongside of me and the two of us, the boy and the lady, bicycled side by side for a couple of miles, talking about the day to day like two old friends.

His name is Jessum. He lives not far from where I’m staying. His mother owns a local hotel there. “The pink one.”

Was I here for the fireworks?

“No, I just arrived yesterday.”

The fireworks are fairly new. Now there are enough prosperous businesses to donate the cost.

I can tell that he’s a bright young man who will do well. He has the natural curiosity that one needs to thrive and succeed.

A couple miles later, he pulled off the road, saying “Maybe I’ll see you… on the road.”

“Yes, maybe!”


After that, I was so engrossed in thoughts about Belize and how it has become part of my life, that I totally missed the turn for the place where I’m staying! That’s pretty incredible- considering the fact that I was toting a heavy load and it is Hot outside and my First Day in the heat. Normally I would be keen to get back.

Once I realized what I had done, I stopped, came about, and back-tracked the half-mile that I had overshot my destination. I’m staying at Captain Morgan’s Retreat, a Belizean-style resort with 1000′ feet of sandy shoreline.

Belize Day 2

I unpacked and made my breakfast: banana pineapple carrot protein smoothie with cinnamon and maca powder. I didn’t have IMG_5785Belize Day 1any ice (yet) so I put it in the freezer in two glasses. By the time I got to the second one, I discovered that I had inadvertently created an awesome banana pineapple carrot popsicle!

Tonight I’m cooking sea bass. Have never cooked (nor eaten!) sea bass, but I think almonds and cashews are going to play a role. Stay tuned.

Here it is: Sauteed Sea Bass Summersea with Snow Peas and Fresh Pineapple. Delicious!

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Perfection is Overrated

Is Perfection overrated? I think so.

A writer friend just sent me a download on the importance of being “Good Enough,” as opposed to being “Perfect.”

Long Story Short: If we fall victim to the whims of the Perfectionist in ourselves, we can damage the expression of our Creativity.

Example:

You write a stream-of-consciousness response to a few thoughts that you wish to convey. Your article is gritty and true.

Then you start fine-tuning it. You go too far. Instead of fine-tuning, you accidentally strip out the emotion.

Instead of capturing its essence, you pound it down to a shadow of its former self.

We need to encourage ourselves in our writing, and our lives, not look for the flaws.

Learning to recognize when we are Good Enough is not always easy, but it’s a good goal.

In fact, it’s a Good Enough goal.

Thanks, Nancy Harris.

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The Dream, Climbing Back to Creativity

The Dream, Climbing Back To Creativity

Yesterday I arrived at my destination just as dark fell upon a tiny beach village on the U.S. side of the Canadian border at British Columbia. I had driven north on a grey day (or a gray day or a grey dey- I was already contemplating poetry and prose- and listening to writer podcasts).

It didn’t begin to rain until I was almost there. I clasped the stirring wheel tighter and shut off the podcast, staring intently ahead. I couldn’t be foolish enough to let my guard down and turn this writer retreat into a disaster before it had even begun.

Slush began to form on the bridges, and sure enough, at the exit where I turned off, an ambulance was departing the scene of an accident (“wrecks”, they called them in the South, where they’re not so polite about the possible accidental cause of such an event). A police car’s blue light was lighting up the dusk, a white station wagon pointed face first into a gulley, its side peeled open by a little red something or other that lay wounded up ahead. See? You have to be careful when the weather turns.

I remembered that I had forgotten to bring coffee and blueberries so the light of a market lured me off track. The smartphone lady told me to return to the route. Recalculating. Suddenly I was surrounded by frosted donuts and sprinkled cookies and six-thousand calorie muffins and Talenti gelato (sea salt caramel). I waded onward to fruits and vegetables. Blueberries. Coffee. Fresh-ground Columbian breakfast blend. Tunnel vision to the checkout.

Checkout lady: Making smoothies?

Me: Um. Yes. As a matter of fact, yes.

Checkout lady: I thought those were too many blueberries for muffins.

Me: Mm. Right.

4:20 PM. I pulled up to the premises and parked. Poor lighting. Can’t see the office. No sign of life. Dug my arrival info out of my bag.

“Check-in time: 4 PM. In order that your unit be properly prepared for your arrival, we regret that early check-ins are not available.”

Called the phone number on the sheet.

“Thank you for calling Holidayland. If you are reaching this message, we are closed for the weekend. Our hours are 9 to 4, Monday through Friday. If it is an emergency- and ONLY IF IT IS AN EMERGENCY- call 000-0000. If it is not an emergency, leave a message.”

I put up my hood and got out of the vehicle. Pouring rain and wind blowing horizontal. Behind the fence I saw white pages taped to the inside glass of a door.

“If you have arrived after 4 PM and have not made arrangements for late arrival, call 000-0000.”

Rosemary answered the phone, and yes, she had been expecting my call. Key in a dropbox at unit 208. Everything’s ready. Warmth, fireplace, 3 bedrooms if you need them. (I don’t.)

I carried my groceries inside the spotless, cozy, home away from home. Freshly scented, vacuum cleaner tracks on the carpet. Put suitcase on a bed in Bedroom 2. Unpacked the basics and got sorted away, as I always do.

This time was different.

I was blocked. I was making an attempt to get back on the writer track, on my Nth edit of the manuscript, trying to find the key that was going to turn my memoir into something meaningful. If not, I told A.C., I would mark it fiction, add erotica, and upload to Amazon. Well I told him that with a wink but I wasn’t very convinced. He agreed. “Yes!”

So there I lay (lied? laid? Verb tense, my weakness), on a colonial sofa with some very cozy pillows behind me, checking my email and twitter notifications. I was a little bit frightened that it wasn’t going to work this time. (It had always worked before. Isolation, quiet and aloneness- as opposed to loneliness- always work for me.)

By eight o’clock, I was drifting off. Put on my playful puppy-printed flannel pajamas. (Why are flannel pajamas always playful prints? Why are there no sexy flannel pajamas? People in Canada get horny too, you know.) Went to bed. Of course I brushed my teeth and flossed and all that hygiene stuff that I wouldn’t want you to think I skipped over.

The next time I awakened, it was 12:30 and I was sweating. I peeled off the puppy pajamas and tossed them on the floor where they belonged.

Deep breath. Asleep again. The next time I awakened I realized that I had been dreaming the most amazing Technicolor dream. I didn’t dare open my eyes or I would lose the dream forever because that’s how I always lose my dreams.

I am normally a vivid and regular dreamer of dreams. Every night, great adventures. However, the past few months have been dream-free— maybe from too many awakenings or tossing and turning, but I missed my dreams. I felt uninspired.

This dream might be significant.

I kept my eyes closed and began to carefully recount the details, retracing my steps in the dream to recall as much as possible.

I had been attending some kind of weekend self-improvement course for women. The content is nebulous, but “Paris” was a factor, so it could have been about Survival or Art or even Beauty. No, not Beauty. There were four or five other women in my group and suddenly it was time to leave. I had four bags, all cross-body types. I lifted my laptop strap first, then, layered the next onto the opposite shoulder. It was made of brown velour. In the dream I fondled the fabric, remembering that I once had a brown velour dress in college, the one that I wore to the Janis Joplin concert for homecoming. Then I added the two other bags. Their weight was an encumbrance. I had the impression that they were filled with art supplies. I looked like Pancho Villa with all the straps across my front.

At the exit of the event, I was asked to reach into a box and draw a name. A winner was going to receive a trip to Paris. I did so and called out the name of a young woman who popped up smiling, long dirty-blond hair, not dirty-blue jeans. (Who decided that “dirty-blond” was a color for hair? Do people even say that anymore? Rude.)

My group of four or five found each other and set out for home on foot. It was a bright blue and green day and we wandered far and wide, oblivious to the miles, like pilgrims. Or the characters in The Handmaid’s Tale. Onward, finding our way.

Soon we came upon a roadblock on a hillside. Tall piles of dirt filled the road. I climbed up and looked around to the other side. A house was being demolished. Its contents sat piled up precariously on the side of the road. Asian antiques. Ducks, brass, ivory, calligraphy, cranes and more. All quivering on this delicate pile. I stopped and rebalanced a duck sculpture that looked like it might knock the whole pyramid down. We admired the antiques as we passed. Blue china. Plates and cups in porcelain. Vases. More tentative stacks, all assembled on the hillside. Fragile Beauty.

Workmen continued to add to the stacks, walking back and forth from the scene of the house demolition as we passed. When we got to the top of the hill, we looked back and saw that they had finished.

Suddenly, music vibrated against the hillside and its echo caused all of the Asian antiques to fall down into a broken mess. The workmen were cursing one of their midst who had found an old Donovan tape and couldn’t resist playing it. I don’t remember the song but Donovan brings to mind art and colors. “Colours,” “Mellow Yellow,” “Wear Your Hair Like Heaven,” “Try and Catch the Wind,” “Season of the Witch”. These were songs that meant something to me years ago. I hadn’t thought of Donovan in as long.

We turned around and now the scene changed to one of Art being created all around us.

An outdoor passage, the width of the Sistine Chapel, was filled with young men and old men—all men— creating Art in brilliant media. There were no canvases or brushes. The earth was the canvas and it was sparkling White and made of something magical and malleable.

I leaned back to look up and saw single colors being celebrated. No rich realistic Michelangelo mastery. Just wedges of pure color in abstraction. Royal blue was being spread into a graphic shape. Yellow pigment was being swirled into a sculptural scene marbleized with white as translucent as the Pieta. I was aware that there was much wet paint and I was admonished to step carefully. We were climbing and there were no stairs. The artwork composed the steps and risers, and each riser was taller than average. I had to strain to lift myself from one section to the next, as if I were suddenly Lilliputian.

I was marveling at how each artwork was more beautiful than the next. Crowds of others making their way and seeing my travel companions ebbing and flowing with the crowd. Nearer, farther. Together again.

The world was Art.

A fast moving rush of water suddenly appeared in the midst of all this art, pouring from a huge opening in the wall. It was like the rivers I’ve floated in the caves of Central America, sharing the same waterways that were once part of the sacred Mayan underworld. I suddenly had the impression that the water was healing but that I had to stay on the “right” side of this flowing water.

Then I was awake, amazed that I had dreamed of all this Creativity and Art.

I remembered that Royal Blue and Yellow—the primary colors in the Dream—are colors that I never use. Maybe I’m supposed to dare to go places in my writing that I haven’t dared to go before today.

The Beautiful Asian Antiques that were being saved from the demolished house and later collapsed? Maybe I’m supposed to save the best bits of my writing and be careful to use them properly and not be distracted by other influences.

Time to write.

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Time to Write

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Writer 2.0 Podcast

When is listening to a writer podcast as important as sitting down to write?

When it’s A. C. Fuller’s Writer 2.0, a podcast dedicated to writing, publishing and the space between.

I met A. C. Fuller at the 2015 Pacific Northwest Writers Association conference by attending his presentation on editing, and later, at his book launch for The Anonymous Source.

His conference presentation was excellent. I’ve dug out my notes this morning as I prepare to embark on yet another self-imposed writer retreat for a week of manuscript mutilation – better known as editing. …but A.C.’s podcast is what I want to share today.

Just a few quick notes to say that this writer podcast is just what you need to fill the space between writer conferences. Writer 2.0 presents interviews with writers, publishers, editors- everyone and everything to do with writing.

I’ve been listening during my treadmill walking on rainy days and, in addition to its valuable content, this podcast makes the time fly.

Example: Yesterday I listened to Emma Scott on Breaking into the Romance Genre, and Blog Your Book with Nina Amir. Besides presenting a concise interview on the headline topics, there’s always subsidiary information on writing and publishing methods that have worked for those being interviewed. Their personal opinions. Insider info. How to’s. Methods worth applying to your own project. Etc. You get the picture.

A. C. Fuller is an excellent interviewer and I guarantee you won’t be bored. No slog time here.

Podcasts vary in length from 20 minutes to under an hour. Do keep your notepad handy because you’re definitely going to want to take notes.

I’ve got to get packing, but do add Writer 2.0 to your podcast subscriptions.

http://acfuller.com/writer-2-0-podcast/

writer podcast